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Yayinci: Slymurder666
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After Evil Dead, Before Spiderman: DARKMAN!
Darkman is a 1990 film directed by Sam Raimi that was based on a short story he wrote that paid homage to Universal horror films of the 1930s. It stars Liam Neeson as Peyton Westlake, a scientist who is attacked and left for dead by an evil mobster, Durant (played by Larry Drake) after his girlfriend, an attorney (played by Frances McDormand) runs afoul of a corrupt developer (played by Colin Friels). Westlake survives, but is left totally disfigured. While hospitalized, he is subjected to a radical treatment that destroys the nerves connected to his brain, neutralizing his ability to sense pain. Now half-crazed, Westlake escapes the hospital and decides to get revenge on the criminals who took his life away, but now as a masked vigilante, known as Darkman. Unable to secure the rights to both The Shadow and Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio movie. He was subjected to a grueling screenwriting process and equally difficult post-production battle with the studio.
Darkman was generally well-received by critics and performed well at the box office, grossing almost $49 million worldwide, well above its $16 million budget. This financial success spawned two direct-to-video sequels, Darkman II: The Return of Durant and Darkman III: Die, Darkman, Die, as well as numerous comic books, video games and action figures.
For a long time, Sam Raimi had been interested in adapting a comic book into a movie. He had pursued and failed to secure the rights to both The Shadow and Batman and decided to create his own. The initial idea Raimi had for Darkman was of a man who could change his face.[4] He has said that he drew inspiration from such films as The Phantom of the Opera, The Elephant Man, Batman and The Shadow.[4] Raimi was also inspired by the Universal horror films of the 1930s and 1940s because "they made me fear the hideous nature of the hero and at the same time drew me to him. I went back to that idea of the man who is noble and turns into a monster".[5] He originally wrote a 30-page short story, entitled "The Darkman", and from this it was developed into a 40-page treatment. It was at this point that, according to Raimi, "it became the story of a man who had lost his face and had to take on other faces, a man who battled criminals using this power".[4] It also became more of a tragic love story in the tradition of The Hunchback of Notre Dame. In 1987, Raimi submitted the treatment to Universal Pictures which they liked, greenlighted a budget in the range of $8-12 million, and suggested that he get a screenwriter to flesh out the story.
Danny Elfman said of his score, "Again old-fashioned and melodramatic, but in a way that I'm crazy about. Sam Raimi has a wonderful visual style that lends itself easily to music. It was an enormous relief writing long, extended musical sequences, something which is very rare in modern films. No reason to hold back on this one
http://en.wikipedia.org/wiki/Darkman
Etiketler:[] [nigthwish] [amarantah] [pv] [clip] [darkman] [tribute] [sam] [raimi] [spiderman]
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Yayinci: psychologicalarmy
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La The Darkman - Donnie Brasco
La the Darkman]
I'm nineteen, doing nothing but getting that green
Lexus C, playin' the club scene
Every weekend, catch me with a different Puerto Rican
Mami, who wanna do nothing but slide me
I'm movin' on a twinkies dip, eyes chunky
Gucci hat, Gucci sweater, couldn't feel better
Stayin' at the bar, in the limelight
Got the four fifth and a box cutter, I'm tight
Drink all night, think all night
Rock a new Air Force One's all white
Bitches sweatin' me, niggas eyein' my style
It's all good, ain't fucked a nigga up in a while
Then Fats walked in, then Shay walked in
Then Raboo, Shotti Screw, and Kay walked in
Aight now, my click just stepped in the place
First nigga act up, I'mma blow him in his face
Where Leopard Ed, them niggas at home in the bed
With 'Lonzo, he with his wiz and his seeds, yo
Back to the storo', this nigga keep lookin' at me
That's the same nigga, every weekend, I see
At, every bar, that, I got to
He starin' at me, duke, do I know you?
Nah, you don't know, but I seen you around, though
Shark Bar and Palladium in New Ro'
Geez, I'm tryin' to figure out, this nigga steez
He remember the spots, where he seen me at, please
What's your name, dun? Steve, what you do? Slang trees
You see this platinum Roli', hangin' off my sleeve
My first thought, yeah, get faster ticket
Get his chain and his watch, leave his ass butt naked
Second thought, this nigga gotta be playin'
He got his jewelry, all out in the club
But why he so quick, tell me, he sell drugs
All my niggas drinkin' Crystal, standin' on the wall
Not knowin' this nigga, gon' be, my downfall
And none of us look like, the working type
Nine to five, never had a job in my life
I'm proud of that, whitey ain't pimpin' me
Even though I might see the penitentiary
Still trying to pull a Heist to the Century
Make bitches catch chills when you mention me
Yo Steve, I don't fuck with drugs, yo
Got a record company and we about to blow
Yo money, don't tell me that lame shit
Save it for the cops, I could see you sell bricks
What's your name? La, look La, I ain't the one
Won't you just come kick it with me, sometime, son
We exchange math, hit 'em, straight routine way
Believe, the nigga, hit me up the next day
Yo, La, this Steve, what's the deal, my friend
Yo, I'm havin' a party, and I want you attend
Come through, as a matter fact, bring your crew
Sing Sing Killas, and the niggas from the Wu
Damn, this kid know my whole family
This might be the connect I want, can't be
Cuz he movin' too fast, one day, if he got cash
I'mma check him out, dun, how I get to your lab
It's upstate, take the Deacon in the Westchester
Just come through, La, and I'mma bless ya
I got models, about thirty Crys' bottles
And after they get drunk, they suck and swallow
I'm there, what time, yo, it start around nine
Got thirty girls coming, nothin' less than a dime
I show up at the crib, four garage mansion
Walked in, nothin' but bad bitches dancin'
Some dancing with niggas, some dancing together
I think to myself, it can't get no better
What up Steve, yo, La, my friend
You late, had a hard time gettin' in?
It's good to see you, and your people
Look La, I'mma tell you just what I wanna do
To the point, I got about four hundred bricks
And my only problem is movin' the shit
What you Cuban, Dominican, but what does that matter
My only concern, is makin' your pockets fatter
I'm watchin' you, all the clubs, spendin' cheese
What your stash look like, I guess a hundred g's
For me, that's enough to buy about ten ki's
Ten thousand a piece, chine white, capisce?
Oh no, this shit can't be true
Offerin' that price in New York, should of knew
yo Steve, I don't play up out my change
La, my friend, this is not a gamee
Think I'd bring you to my home, just to play
Yo, Steve, all type of shit happened today
But anyway, I hope, you keepin' it real
Cuz you know, I might take you up on that deal
Thinkin', to myself, this price is a steal
See him a couple times, son, I could stack a mil'
Hung out with him, Cheetah's, Envy, a few times
Ran a couple train, on a few dimes
I'm kickin' it, harder than I ever did
Copped a house, built an arcade in it for my kids
Race cars, Tekken, pool tables, cool
I'm lovin' my life, everything was goin' smooth
Doin', yeah, forty bricks a month
Drinkin' nothin' but Crys', smokin' hydro blunts
Shay copped a Benz, Fats copped a Benz
Screw copped a Caddy, Kay stacked his ends
And damn, I wish I would of did the same
Everything fucked up when them indictments came
F.B.I. at my door, must of got the wrong name, it's a bust
And sir, you comin' with us
And we know what you been doin', for the last twelve months
Fuck, I got dough, I'm going to trail, yo
But Steve was a fed, Donnie Brasco
Etiketler:[] [la] [the] [darkman] [donnie] [brasco] [wu] [tang] [clan] [rza] [gza] [odb]
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